Marianne Faithfull (born 29 December 1946 in London) is an English singer-songwriter and actress whose career spans more than four decades. Her early work in pop and rock music in the 1960s was overshadowed by her struggle with drug abuse in the 1970s. After a long commercial absence, she returned late in 1979 with the highly acclaimed album, Broken English. Faithfull's subsequent solo work, often critically-acclaimed, has at times been rather overshadowed by her personal history.
Georgina Verbaan, known simply as Georgina, became known in the late 90s as a soap opera actress in the Netherlands. She released her debut single "If You Want Me" in 2000, and in 2001 her biggest hit, "Ritmo!", reached the top 10 in the Dutch singles chart. Her debut album 'Sugar Spider' came out in 2002.
Melissa Lou Etheridge (born May 29, 1961) is an American rock singer-songwriter, guitarist, and activist. Her self-titled debut album was released in 1988 and become an underground hit. The album peaked at #22 on the Billboard 200, and its lead single, Bring Me Some Water, garnered Etheridge her first Grammy nomination for Best Female Rock Vocal Performance. In 1993, Etheridge won her first Grammy award for her single, Ain't It Heavy, from her 3rd album Never Enough.
Loleatta Holloway (November 5, 1946 – March 21, 2011) was an American singer, mainly known for disco songs such as "Hit and Run" and "Love Sensation", both of which have been sampled extensively.
Holloway found moderate disco success when she placed eighteen songs on the Hot Dance Music/Club Play chart, including four Number ones, and was featured on Dan Hartman's disco classic, "Vertigo / Relight My Fire". In the early 1980s, she had another dance hit with "Crash Goes Love", before she had her first Number one in the UK with "Ride On Time" by Black Box, which featured vocal samples from her own Salsoul recording, "Love Sensation". This happened again in 1991 when Marky Mark and the Funky Bunch featured her vocals in the chart topping cover version of the song "Good Vibrations". Although both songs were notorious for initial copyright infringements (see: white label), they did help elevate Holloway to legendary status in the dance music/disco community.
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